TLG talks to Lyall Gardiner, location manager and founder of FStop Location Services, about what makes the Middle East, and particularly the UAE, an increasingly attractive filming destination.
Working at Netflix is unlike any other production executive job I’ve ever had. The company's structure is different to other studios and networks in that we have one large production department to handle all the different types of content we produce. Be it series, films, documentaries, comedy specials or non-English language series, we handle the lot.
Co-Chair of the International Committee of the PGA since April of this year, Mashayekh talks to TLG about his journey from law to the very heart of the film industry and working with industry legends Vanessa Redgrave and Branko Lustig.
As the Director of the Vilnius Film Office, Jurate is at the heart of the Lithuania's relationship with the global production industry.
This year’s Cannes Film Festival brought with it a seismic event for the production industry, one which many thought would never come to pass: the release of Terry Gilliam’s long-gestating passion project, The Man Who Killed Don Quixote.
With an appealing climate, a cost effective economy and a film-friendly infrastructure to boot, Uruguay has enjoyed a fair amount of popular with productions of varying types. As the Executive Producer of one of Uruguay's leading production service companies, Andres Mailhos spoke to TLG about his experience of working in the South American country.
The buzz surrounding Willem Dafoe’s latest project, The Lighthouse, has led to a major profile boost for Nova Scotia as a filming destination.
Since the release of Disney's Queen of Katwe, foreign producers have begun to reconsider Uganda as a viable filming location for their upcoming projects. We sat down with Derrick Kibisi, who has been offering production services in Uganda for years as founder of Talking Film Production, to discuss Uganda's cinematic potential.