Nic was born in New Zealand but has always considered Fiji his second home, moving there for the first time in the early 90s. He and his business partner at Film Fiji are production professionals and have years of experience in many international regions with both advertising agencies and production companies.
[slideshow id=221]Florence is the Fiji Audio Visual Commission's Chief Executive Officer, the Government agency responsible for the development and promotion of the audio visual industry in Fiji.
[slideshow id=214]Craig is the Senior Location Specialist with the Georgia Film, Music and Digital Entertainment Office, and is tasked with promoting the state as a shooting location for all types of productions.
[slideshow id=109]It’s been a tough time for Mexico recently. Bouncing back from the global recession took all the national industry’s guts and resilience, but then Mexico had to deal with accusations of poor production safety because of a few crime-ridden areas.
[slideshow id=71]You will never hear anyone return from India saying it was boring. The vibrant culture, unique wildlife and spectacular scenery have fascinated visitors for centuries. Documentary filmmakers have tapped into this rich vein of content to great advantage.
[slideshow id=63]I managed to catch up Marc on a rare day off at his home in the South of France, to hear about the best aerial views in the world, the way digital effects have changed the game, vintage biplane flying on the Scottish Isle of Skye and what to do if the Peruvian Air Force steal your chopper fuel.
Before Julia Roberts’ hotly-anticipated Eat, Pray, Love was filmed earlier this year, nobody had ever managed to pull off a large studio shoot on the Indonesian island of Bali. But
Lori Balton’s address book is a who’s who of Hollywood production designers, producers, and directors. Amongst others she has location scouted for Spielberg, Scorsese, Bay,